The paintings are mostly in big format is made in mixed media on canvas, using sand and other non-painting materials, crumpled paper, glue, found things, rags, etc. she creates a foundation on which she applies new layers of pictural materials occasionally resembling the experiences of informel. But, this complex, dynamic and frequently tumultuous process, inspired by some inner reasons of her nature, a feeling of absolute domination of visual is born which doesn't recognize and differences between figuration and abstraction, pictural and non-pictural materials, same as it ignores the logical function of a shape which is confirmed by empiric experience. At first sight it might seem that Ms. Minic gives priority to a typically modernistic presentation based on the collage technique. However, if that process is present here it is understood in quite a different sense from that ascribed to it by the cubist, surrealists or new imagists. Her collage is a differently based visual game: it is a combination ( synthesis ?) of practically all known disciplines of visual art.The painting is living on its dynamic harmony broken into a visual ( formal ) and semantic complexity and unity of feeling and consciousness of the beauty of liberated language.
Excerpt from a catalogue foreword by Sreto Bosnjak
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